Mark di Suvero & Jan Goossen

Oktober 2015: Galerie Ko D’ooor in Middelburg toont affiches uit de jaren 70 van de vorige eeuw. Het een selectie uit de verzameling van kunstenaar William Verstraeten. Op een van de affiches staat het werk van Mark di Suvero in Eindhoven (1972). Jan Goossen en Mark di Suvero kenden elkaar uit de periode 1963-1966

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, de tijd dat Jan in San Francisco woonde en werkte. Mark liet zijn werk afgieten in brons. Jan was een van de eigenaren en werkzaam in de bronsgieterij, Foundry 3 (later San Francisco Art Foundry).
Jan heeft me ooit verteld dat hij Mark di Suvero hielp met de inrichting van de tentoonstelling in het Van Abbemuseum in Eindhoven. Maar nu snap ik waarom Mark zo blij was met de hulp van Jan! Het was niet alleen een tentoonstelling die werd ingericht, maar de hele stad Eindhoven werd met beelden van Mark “ingericht”.
Ik vertelde William Verstraeten het verhaal. Hij had nog een tweede affiche en dat kreeg ik van hem. Dank je wel William! Ik ben er heel blij mee.

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About Yvette

Yvette Lardinois was getrouwd met Jan Goossen. Zij heeft onderzoek gedaan naar zijn werk en de website gemaakt. Yvette is beeldend kunstenaar en werkt bij het Zeeuws Museum.

2 thoughts on “Mark di Suvero & Jan Goossen

  1. In 1972 I worked as draftsman at De Vries Robbe Steelstructures in Eindhoven-The Netherlands. At that time Mark di Suvero was offered a workshop for producing his steel structure art on the terrain of our company. I remember him on his white bisycle (provo issue in those days) at about 11 a.m. entering the gate of the firm. In his half open work shed he had a wooden bed tied up to a roof beam with four ropes. While rocking on that he gathered inspiration for his art. He was allowed by the company to use steelbeams from the stock of the firm. With the help of a small hand crane and a welding machine he created several artpieces of steelbeams which where shown in several parks of Eindhoven. Unfortunately children thought they were toys and started climbing on them. Of course this went wrong sometime and they fell off after which the local authorities put rubber tiles under the art structures. No signs of FORBIDDEN TO CLIMB of course. Later I discovered who he was (we had never heard of him) and that he also showed art in the Kroller Muller museum in Arnhem. I still have to go and see it. Those were the days.

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